After performances in Denmark at Dynamo Festival in Odense last June, we met Collectif Malunés with the show again in Italy for the first edition of Oscillante, the first European festival of ballant disciplines organised by the Flic Circus School in Turin. With a title that sings the praises of

What happens when you enter public space surrounded by the borders of a performance? The Duck Performance by Marija Baranauskaitė uses circus and performative interventions to explore the limits and negotiations that define human encounters in urban space. Ducks, of course, make an appearance. The Duck Performance is a break

Our human wishes and desires dominate our relations with inanimate others that surround us. How can we rethink and design anew the world, so domination may give way to more care-based models of living together with objects? In PLI, Viktor Černický employs circus and dance to tease some possible answers.

In EZ, Elena Zanzu plays with pain, constriction, manipulation, and consent. Your task? To help. To talk about negotiation, consent, and care as the subjects of EZ, Elena Zanzu’s brilliant and unsettling solo performance, which showed at the CircusDanceFestival in Cologne in May, would be accurate – albeit perhaps too

In VanThorhout, his first solo creation in nearly a decade, Alexander Vantournhout rewrites the limits of his body – this time, with a renewed restlessness about the meaning of masculinity, manipulation, and weapons. Now I know what it is like to stare down a heavy weight hurtling in an orbit at