What is the common denominator of a sense of safety from a young professional's eye in the circus sector, and what is important to underline or still missing from reflections on risk? And what about enlarging the spectrum, including the sociological element of safety beyond the circus bubble?

How can objects tell stories? Usually, when speaking about objects in circus, we refer to the structures that host the performances or to objects used as props. We often think about technical elements, such as the height of a space, the floor, the rigging possibilities or the load that a

What does a growing creature look like? The raw character and braveness, coupled with the tenderness and honesty of a young and eager-to-grow circus scene, was evident to anyone attending EPICIRQ, the showcase for Baltic contemporary circus, which celebrated its 4th edition, from 6-8 of October in Tallinn, Estonia. This

Spoffin in the medieval city of Amersfoort, in the Netherlands, offers a weekend of international performances to discover in the city centre. The program reveals its multidisciplinarity by mixing contemporary circus, dance, and street theatre in the outdoor arts. We spent three days there capturing the vibes and wrote about