In EZ, Elena Zanzu plays with pain, constriction, manipulation, and consent. Your task? To help. To talk about negotiation, consent, and care as the subjects of EZ, Elena Zanzu’s brilliant and unsettling solo performance, which showed at the CircusDanceFestival in Cologne in May, would be accurate – albeit perhaps too

In VanThorhout, his first solo creation in nearly a decade, Alexander Vantournhout rewrites the limits of his body – this time, with a renewed restlessness about the meaning of masculinity, manipulation, and weapons. Now I know what it is like to stare down a heavy weight hurtling in an orbit at